Alberto Albertini : LAST CHANCE


Alberto on a rock


I’ve always strongly disliked memories because time doesn’t exist. Memories, illusion: as if we could bring the past back. If time doesn’t exist, it’s obvious. The instant of our present is short, infinitely short like a film, only existing when the film frame encounters the small window of light. We do know there is a story within the film reel, go get it! If you have a film, you can project it again. You can’t do the same in real life. Although memories are there, to think of living  them again is nothing but frustration. Only the present, whatever the situation, is life, and thanks to our endless reaction times we are lucky enough to feel the present longer than an instant. For the vagabond each sip of beer is an instant, a sequence of instants extends the present. Past and future are always in the present. Being a moderate beer drinker, I chop onions and write this. 

Forgotten Garden


We used to walk through Corso Magenta to save the tramway fare, myself and some companions. Dirty jokes they told to each other were beyond my understanding, I was so different, their talking was strange. One of them was happy because for Christmas he was going to receive the balilla moschettiere gloves! [part of the uniform of fascist youth] Another was expecting a pair of shoes: for Christmas! That is something to buy when needed. 

My uniqueness was in trouble when Gloria was with us. A complex work. Gloria —her name was the same as the movie theater of the neighborhood—  used to appear and disappear, only randomly she strolled with us in Corso Magenta, yet to me she represented an exceptional presence of uniqueness. First her physical presence completely oblivious to me, and second my imagination about her which was strange because after all I didn’t often think of her nor for long, but I was waiting for her. Gloria was a girl with straight hair short enough not to touch her shoulders, and she was easy, mature, among the talk of her walking peers. 

It is hard for me to understand the key to her charm. As she was intermittently with us, I wasn’t allowed to know her better, but first of all it was me who had transposed her person into a story of an adult woman about to behave like an emancipated woman knowing who she is, able to run life and passions without reticence. Was it then that I perceived her, or now that I resurrect her eighty years later? Maybe Gloria never existed, I invented her in my unconscious, the unconscious invented her. 

First year after the end of fascism – Albertos’ journal


Giorgio had become a friend of mine after we spent so much time to design the recording studio that a song writer wanted to prepare for his sons in Rome. I met him again in Merano; instead of taking a vacation he was having a second job with P, the head of a studio that recorded and published Tyrolean and local groups’ music.  If I was going to P, I did it in order to sell equipment. P’s wife was interesting: a true lady of the Serenissima [Venice], she stood out, conducting herself as if she were the Doge’s wife, shapely without excess. I couldn’t understand why her husband wouldn’t consider her as a woman or as a secretary.

In the evening we went for dinner at a castle over Merano: myself, Giorgio, P’s wife and someone else, but not P.

On the way back, Giorgio with P’s beautiful wife brought me to my hotel and he left with her.  

The following day I congratulated Giorgio and asked: is P disregarding his wife because he is homosexual? No, absolutely not! He has fun with the young girls that come to the studio. 

City of Rome


A strange survival instinct often pushes human beings to turn themselves inside out trying to justify things they might complain about. Thinking of imaginary compensation, they keep their resentment quiet and often accept to be exploited, abused, cheated.  Only when the pressure goes beyond the limits, rage explodes, maybe even stronger than necessary.    

We kept living quietly as long as possible, and the creeping regime exploited this, of course. It’s not a mystery that jokes about the regime in the fascist era not only were tolerated, but also sent out from the regime itself. Giving vent to the discontent, while the regime kept going undisturbed. It comes back to my mind when I hear or receive jokes, often very beautiful, on our present creeping regime. Here it is, could our intense on line communications  be a verbal vent good to console, making us able to endure? 

Why is the talk of action missing, now? 

Fort Lauerdale
United States of America

SILENCE OF ONIONS – by Rosanna Albertini

First time Alberto stuck in my memory was the day his father, my grandfather, ended his journey on earth. It was summer. In the field next to our garden there was a small, temporary amusement park not worth noticing except it was noisy. The dismay among the living people in the house translated into equally noisy complaints that I found annoying. I was seven years old. The whole house from basement to the roof was pervaded by a sense of control: flowers! To me: go to your friend’s houses and ask for as many flowers as you can. It was a way to keep me out. We were like bees buzzing around the room where the only significant person of that day lay still on the bed, dressed up as in winter, with socks but no shoes.

That dead copy of my grandfather wasn’t interesting at all for me. But, I knew the real one was gone, probably flying to paradise with mountain boots on his feet, and naked like god had made him. I was so angry nobody mentioned him. It was a tragedy in which the characters couldn’t speak out the core of the story. I didn’t spill one tear. In the kitchen I found some people sitting around the table, grandmother and Alberto among them. Alberto’s eyes were red and puffy, no doubt he had spread many tears. Implacably dry, my little person asked him bluntly: why did you cry? He was silent. Grandmother answered for him: he was chopping onions.